Article المقال Histoire de L' Architecture تاريخ العمارة ( Février )
BEIJING
NEW AIRPORT
ARCHITECT Zaha Hadid
Written by : Eng. Hanaa Omar.
Zaha Mohammad Hadid (31 October 1950 – 31 March 2016) was a British Iraqi architect, artist and designer, recognised as a major figure in architecture of the late 20th and early 21st centuries. Born in Baghdad, Iraq, Hadid studied mathematics as an undergraduate and then enrolled at the Architectural Association School of Architecture in 1972. In search of an alternative system to traditional architectural drawing, and influenced by Suprematism and the Russian avant-garde, Hadid adopted painting as a design tool and abstraction as an investigative principle to "reinvestigate the aborted and untested experiments of Modernism
She
was described as the "Queen of the curve"who "liberated
architectural geometry, giving it a whole new expressive identity". Her
major works include the London Aquatics Centre for the 2012 Olympics, the Broad Art Museum, Rome's MAXXI Museum, and the Guangzhou Opera House.
Hadid was the first woman to receive the Pritzker Architecture Prize,
in 2004. She received the UK's most prestigious architectural award, the Stirling Prize, in 2010 and 2011. In 2012, she was made a Dame by Elizabeth II for services to architecture, and in February,
2016, the month preceding her deathshe became the first woman to be
individually awarded the Royal Gold Medal from the Royal Institute of British Architects
SOME
OF HER EARLY BUILDINGS
Vitra fire station –
Germany
One of her first clients was Rolf Fehlbaum the president-director general of the Swiss
furniture firm Vitra, and later, from 2004 to 2010, a member of the jury
for the prestigious Pritzker Architecture Prize.
In 1989, Fehlbaum had invited Frank Gehry, then little-known, to build a design museum at the
Vitra factory in Weil-am-Rhein. In 1993, he invited Hadid to design a small fire
station for the factory. Her radical design, made of raw concrete and glass,
was a sculptural work composed of sharp diagonal forms colliding together in
the centre. The design plans appeared in architecture magazines before
construction. When completed, it only served as a fire station for a short
period of time, as Weil am Rhein soon opened their own fire station. It became
an exhibit space instead, and is now on display
with the works of Gehry and other well-known architects.
Bergisel Ski Jump
Hadid designed a public housing estate in
Berlin (1986–1993) and organised an exhibitionin New York. Her next major
project was a ski jump at Bergisel, in Innsbruck Austria. The new structure was to
contain not only a ski jump, but also a cafe with 150 seats offering a 360-degree
view of the mountains.
Hadid had to fight against traditionalists and against time; the project had to be completed in one year, before the next international competition. Her design is 48 metres high and rests on a base seven metres by seven metres. She described it as "an organic hybrid", a cross between a bridge and a tower, which by its form gives a sense of movement and speed.
SOME OF HER Major projects
London Olympics Aquatics Centre
Hadid described her Aquatics
Centre for the 2012
Summer Olympics in
London as "inspired by the fluid geometry of water in movement"The
building covers three swimming pools, and seats 17,500 spectators at the two
main pools. The roof, made of steel and aluminium and covered with wood on the
inside, rests on just three supports; it is in the form of a parabolic arch
that dips in the centre, with the two pools at either end. The seats are placed
in bays beside the curving and outward-leaning walls of glass. At £269 million,
the complex cost three times the original estimate, owing principally to the
complexity of the roof. This was the subject of much comment when it was
constructed, and it was the first 2012 Olympic building begun but the last to
be finished.
Galaxy SOHO, Beijing, China
Many of Hadid's later major works are found in Asia.
The Galaxy SOHO in Beijing, China (2008–2012) is a combination
of offices and a commercial centre in the heart of
Beijing with a total of 332,857 square metres, composed of four different ovoid
glass-capped buildings joined together by multiple curving passageways on
different levels. Hadid explained, "the interior spaces follow the same
coherent formal logic of continual curvilinearity." The complex, like most
of her buildings, gives the impression that every part of them is in motion
Heydar Aliyev Center, Baku Azerbaijan
The Heydar Aliyev Center in Baku, Azerbaijan (2007–2013) is a gigantic cultural and conference centre containing three auditoriums, a library and museum, with a total space of 10,801 square metres on a surface of 15,514 square metres, and a height of 74 metres. Hadid wrote that "its fluid form emerges from the folds of the natural topography of the landscape and envelops the different functions of the centre",
Consisting of eight storeys, the centre
includes an auditorium with 1000 seats, exhibition space, conference hall,
workshop and a museum. No straight line was used in the project of the complex.
The shape of the building is wave-like and the overall view is unique and
harmonic. Such an architectural structure stands for post-modernist
architecture and forms oceanic feeling. The lines of the building symbolise the
merging of past and future
Library and Learning Center, Vienna University of Economics and
Business, Vienna, Austria
The Library and Learning Center was designed as
the centrepiece of the new University of Economics in Vienna. Containing 28,000
square metres of space, its distinctive Hadid features include walls sloping at
35 degrees and massive black volume cantilevered at an angle over the plaza in
front of the building. She described the interior as follows: "The
straight lines of the building's exterior separate as they move inward,
becoming curvilinear and fluid to generate a free-formed interior canyon that
serves as the principal public plaza of the Center, as well as generating
corridors and bridges ensuring smooth transitions between different
levels."
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