Article المقال Histoire de L' Architecture تاريخ العمارة ( Février )







 

BEIJING  NEW AIRPORT

 



ARCHITECT   Zaha Hadid  

Written by : Eng. Hanaa Omar.





Zaha Mohammad Hadid (31 October 1950 – 31 March 2016) was a British Iraqi architect, artist and designer, recognised as a major figure in architecture of the late 20th and early 21st centuries. Born in BaghdadIraq, Hadid studied mathematics as an undergraduate and then enrolled at the Architectural Association School of Architecture in 1972. In search of an alternative system to traditional architectural drawing, and influenced by Suprematism and the Russian avant-garde, Hadid adopted painting as a design tool and abstraction as an investigative principle to "reinvestigate the aborted and untested experiments of Modernism


She was described as the "Queen of the curve"who "liberated architectural geometry, giving it a whole new expressive identity". Her major works include the London Aquatics Centre for the 2012 Olympics, the Broad Art Museum, Rome's MAXXI Museum, and the Guangzhou Opera House.





Hadid was the first woman to receive the Pritzker Architecture Prize, in 2004. She received the UK's most prestigious architectural award, the Stirling Prize, in 2010 and 2011. In 2012, she was made a Dame by Elizabeth II for services to architecture, and in February, 2016, the month preceding her deathshe became the first woman to be individually awarded the Royal Gold Medal from the Royal Institute of British Architects

SOME OF HER EARLY BUILDINGS


                                   Vitra fire station – 



Germany   

One of her first clients was Rolf Fehlbaum the president-director general of the Swiss furniture firm Vitra, and later, from 2004 to 2010, a member of the jury for the prestigious Pritzker Architecture Prize. In 1989, Fehlbaum had invited Frank Gehry, then little-known, to build a design museum at the Vitra factory in Weil-am-Rhein. In 1993, he invited Hadid to design a small fire station for the factory. Her radical design, made of raw concrete and glass, was a sculptural work composed of sharp diagonal forms colliding together in the centre. The design plans appeared in architecture magazines before construction. When completed, it only served as a fire station for a short period of time, as Weil am Rhein soon opened their own fire station. It became an exhibit space instead, and is now on display with the works of Gehry and other well-known architects.

                          

  Bergisel Ski Jump




Hadid designed a public housing estate in Berlin (1986–1993) and organised an exhibitionin New York. Her next major project was a ski jump at Bergisel, in Innsbruck Austria. The new structure was to contain not only a ski jump, but also a cafe with 150 seats offering a 360-degree view of the mountains.

 Hadid had to fight against traditionalists and against time; the project had to be completed in one year, before the next international competition. Her design is 48 metres high and rests on a base seven metres by seven metres. She described it as "an organic hybrid", a cross between a bridge and a tower, which by its form gives a sense of movement and speed.

SOME OF HER Major projects

London Olympics Aquatics Centre 

 



Hadid described her Aquatics Centre for the 2012 Summer Olympics in London as "inspired by the fluid geometry of water in movement"The building covers three swimming pools, and seats 17,500 spectators at the two main pools. The roof, made of steel and aluminium and covered with wood on the inside, rests on just three supports; it is in the form of a parabolic arch that dips in the centre, with the two pools at either end. The seats are placed in bays beside the curving and outward-leaning walls of glass. At £269 million, the complex cost three times the original estimate, owing principally to the complexity of the roof. This was the subject of much comment when it was constructed, and it was the first 2012 Olympic building begun but the last to be finished.

    

Galaxy SOHO, Beijing, China





Many of Hadid's later major works are found in Asia. The Galaxy SOHO in Beijing, China (2008–2012) is a combination of offices and a commercial centre in the heart of Beijing with a total of 332,857 square metres, composed of four different ovoid glass-capped buildings joined together by multiple curving passageways on different levels. Hadid explained, "the interior spaces follow the same coherent formal logic of continual curvilinearity." The complex, like most of her buildings, gives the impression that every part of them is in motion

 

Heydar Aliyev Center, Baku Azerbaijan

 



The Heydar Aliyev Center in BakuAzerbaijan (2007–2013) is a gigantic cultural and conference centre containing three auditoriums, a library and museum, with a total space of 10,801 square metres on a surface of 15,514 square metres, and a height of 74 metres. Hadid wrote that "its fluid form emerges from the folds of the natural topography of the landscape and envelops the different functions of the centre",





Consisting of eight storeys, the centre includes an auditorium with 1000 seats, exhibition space, conference hall, workshop and a museum. No straight line was used in the project of the complex. The shape of the building is wave-like and the overall view is unique and harmonic. Such an architectural structure stands for post-modernist architecture and forms oceanic feeling. The lines of the building symbolise the merging of past and future

 

Library and Learning Center, Vienna University of Economics and Business, Vienna, Austria

 



The Library and Learning Center was designed as the centrepiece of the new University of Economics in Vienna. Containing 28,000 square metres of space, its distinctive Hadid features include walls sloping at 35 degrees and massive black volume cantilevered at an angle over the plaza in front of the building. She described the interior as follows: "The straight lines of the building's exterior separate as they move inward, becoming curvilinear and fluid to generate a free-formed interior canyon that serves as the principal public plaza of the Center, as well as generating corridors and bridges ensuring smooth transitions between different levels."

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